Category: music

Time again for my annual best-of music review! As in the past, here’s the introductory explanation from my 2011 post, copied & pasted for your convenience:

A couple years ago, I started doing my own personal “best of the year” selections in iTunes. It’s easy to make an iTunes smart playlist that includes all the tracks added during the calendar year. Just set “Date Added”, “is in the range”, and pick the dates (I also add rules to exclude some tracks, like audiobooks, podcasts, etc.).

I use “date added” rather than “year”, so my selections are based on music that I bought during the year, regardless of when it was originally released. If I discover an old artist or pick up an old album years later, then so be it. Also, I buy full albums only; I never buy just single tracks. And so that’s what I pick 10 favorites of: albums.

Here are my 2013 selections, in alphabetical order by artist. I’ll pick the top 10, but I won’t order them down to a number one, sorry. The links are to Wikipedia, and a playlist of these albums (minus Giant Drag) is on Spotify.

The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You, Neko Case – Neko Case’s latest holds up every bit as well as 2009’s Middle Cyclone. It has a few less-great tracks, but is mostly solid, with some real standouts (“Man” and the seriously intense “Nearly Midnight, Honolulu”). Her performance at the 2013 Austin City Limits Music Festival was great, even if Atoms For Peace were drowning out the quieter moments from across the park. If you have a chance to see her live, take it.

Waking Up Is Hard To Do, Giant Drag – The last album by this band, made up mostly (entirely?) of the very odd and very funny Annie Hardy, was 2005’s Hearts and Unicorns. This new release is more eclectic and less rockin’, but there’s hardly a bad song on it. Unfortunately, as of this writing, her indie label doesn’t seem to have a deal with Spotify or Rdio, so you won’t find it there.

There’s Always Another Girl, Juliana Hatfield – I’ve never been a big fan of Juliana Hatfield’s solo work, though I loved Blake Babies and Some Girls. I don’t remember how I came across this, but it’s similar to Some Girls’ music, and I really liked it. It even prompted me to back her followup this year on PledgeMusic. The result, Wild Animals, was unfortunately not nearly as good.

Wolf’s Law, The Joy Formidable – Man, do I love Joy Formidable. Their last CD, 2011’s The Big Roar, was on my top-10 list last year, and this new one is every bit as good. I had the good fortune to see them live three times in 2013: a free mini SXSW show at Waterloo Records, a headlining show at Emo’s (with IO Echo; see Best of the Rest, below), and a great festival set at ACLFest. They’re just fantastic live, and live up to both words in their name; I can’t recommend them highly enough.

Wed 21, Juana Molina – A late entry, which I didn’t pick up until the end of the year, but an easy choice for a favorite from this year. Unique, beautiful, haunting music, as her previous albums have all been, but with fewer slightly-too-weird-to-be-listenable tracks. Yes, the lyrics are mostly in Spanish, but it’s so ethereal you’ll hardly notice. The video for “Eras” is more toward the creepy end of the spectrum than most of these songs, but has a visual style that matches the eccentricity of the music really well.

Silence Yourself, Savages – The post-punk sound of this band manages to keep the power that sound had when it was new, without being diluted by seeming too throwback. It’s serious, darkly intense music, but I can still listen to the whole thing over and over again. I was able to see them at ACLFest, too. They’re not a band you’d expect to see on a hot, sunny stage at midday, but they more than held their own, black clothes from head to toe be damned.

Apocryphon, The Sword – I’d never heard of this Austin-area heavy metal band before I happened to buy a six-pack of Iron Swan Ale, their Real Ale tribute beer. I thought the prog-rock design and imagery were a hoot, and only later discovered there was an actual band that unapologetically and unironically rocks that same imagery in their music. I don’t have much metal in my library, but something about songs like “Eyes of the Stormwitch”, “The Chronomancer”, and “The Veils of Isis” works for me.

The Name of This Band is Talking Heads, Talking Heads – I’ve had just about every Talking Heads album for years, including the great live album Stop Making Sense, but somehow had never known about the existence of this one. It’s a double album, and it’s long (a little over 2.5 hours), so I admit that I don’t often listen to it from beginning to end. But nearly every one of these (33!) songs are really good versions; even titles I don’t care much for in their studio form are good here.

Sorry, White Lung – I think I heard about White Lung from the Sound Opinions podcast, but whoever tipped me off to them: thank you. Where Savages might be post-punk, White Lung is just plain punk-punk. A fast, angry, energetic ride, the album length stands in stark contrast to that huge Talking Heads entry above: 10 songs, 20 minutes, done. Great stuff; I’m looking forward to future releases.

Versions, Zola Jesus – When I first heard about this album, made up of previous songs arranged for string accompaniment, I was skeptical. I’m not usually a big fan of remixes and the like. But the source of most of these songs, 2011’s Conatus, was good enough to earn a spot on my top-10 last year, so I gave it a try. It’s fantastic. The orchestral sound transforms the songs entirely, in some cases possibly even making them (gasp!) better.

So those are my ten favorite “new” albums of 2013.

And then there are all the rest of the albums. Some are so good they were almost in the top ten (Janelle Monáe, Sleigh Bells), some are honestly barely worth saving from the delete key (Boss Hog, the aforementioned Wild Animals). But to complete my annual time capsule, I also make a playlist, ordered in painstaking mixtape order (not best-to-worst), of favorite single tracks from all of the year’s albums that didn’t make the best-album cut. This “Best of the Rest” is also a playlist on Spotify (minus the Juliana Hatfield track).

1. The Bomb — Bitter:Sweet (Drama)
2. Man Like That — Gin Wigmore (Man Like That EP)
3. Born For This — Paramore (Riot!)
4. Happy Now? — No Doubt (Tragic Kingdom)
5. Satellite Mind — Metric (Fantasies)
6. Nobody Asked Me (If I Was Okay) — Sky Ferreira (Night Time, My Time)
7. Another Girl — Wild Belle (Isles)
8. Lights — Ellie Goulding (Lights)
9. Tiananmen Square — IO Echo (Ministry of Love)
10. Los Adolescentes — Denver (Música, Gramática, Gimnasia)
11. Parted Ways — Heartless Bastards (Arrow)
12. Young Man In America — Anaïs Mitchell (Young Man In America)
13. Tracks — Juliana Hatfield (Wild Animals)
14. Vuelve — Julieta Venegas (Los Momentos)
15. Coco — Astro (Nacional Records Amazon Sampler 2013)
16. Aura — Lady Gaga (Artpop)
17. Standing There — The Creatures (Boomerang)
18. Q.U.E.E.N. [feat. Erykah Badu] — Janelle Monáe (The Electric Lady)
19. Blackout — Anna Calvi (Anna Calvi)
20. Get It While You Wait — Boss Hog (Whiteout)
21. Price Tag — Jessie J (Who You Are)
22. Happily — One Direction (Midnight Memories)
23. What You Wanted — Seapony (Falling)
24. Walk Or Ride — The Ditty Bops (The Ditty Bops)
25. Wet Blanket — Metric (Old World Underground, Where Are You Now?)
26. Proof — Paramore (Paramore)
27. Mr. Freakshow — Gin Wigmore (Holy Smoke)
28. Bitter Rivals — Sleigh Bells (Bitter Rivals)

As last year, there are some tracks on here that come to my iTunes library via my teenage daughter. I don’t have everything she bought (yes, bought; trying to raise decent, law-abiding citizens here), but I may as well try to keep up with kids these days. She and I did go to a Metric/Paramore concert together, and while Metric being the opener and not the headliner still seems crazy to me, it was great. In any case, let the record show that I would not have bought One Direction, for example, but that I can play them in the car with certain passengers and not be sick. So in the spirit of an annual time capsule, and of trying to not be too cool to have a guilty pleasure or two, those tracks are here, too.

Enjoy!

Time again for my annual best-of music review! Okay, past time; sue me. Here’s the introductory explanation from last year’s post, copied & pasted for your convenience:

A couple years ago, I started doing my own personal “best of the year” selections in iTunes. It’s easy to make an iTunes smart playlist that includes all the tracks added during the calendar year. Just set “Date Added”, “is in the range”, and pick the dates (I also add rules to exclude some tracks, like audiobooks, podcasts, etc.).

I use “date added” rather than “year”, so my selections are based on music that I bought during the year, regardless of when it was originally released. If I discover an old artist or pick up an old album years later, then so be it. Also, I buy full albums only; I never buy just single tracks. And so that’s what I pick 10 favorites of: albums.

Here are my 2012 selections, in alphabetical order by artist. The links are to Wikipedia, and a playlist of these albums is here on Spotify.

• Born To Die, Lana Del Rey – Leaving aside the controversy between whether this is Art or lowbrow misogynist trash, and just going along for the ride with her surreal and honestly kind of dorky persona, this album has a dark, smoothly consistent feel that I just found myself listening to over & over.
• Hospitality, Hospitality – I saw this band do a free SXSW set at Waterloo Records (and got an autographed CD), and they were solid. So indie that there’s not even a Wikipedia page for their album, and a little twee, but I listened to this album a lot this year. Good stuff.
• The Big Roar, The Joy Formidable – This album is just a solid rocker from start to finish, another with hardly a bad song on it. Volume dials don’t really go high enough for music like this. (No, not even Spinal Tap’s volume dials.)
• Synthetica, Metric – Another band that’s been around for a long time that I hadn’t been into very much. This album, especially the track “Youth Without Youth” (with its fantastic video), plus a great set at ACLFest, converted me.
• Bring It On Home, Joan Osborne – The singer who you think of as a 90s one-hit wonder has been putting out good albums ever since then. What a voice. This compilation of cover songs doesn’t have a bad track on it.
• Theatre Is Evil, Amanda Palmer & The Grand Theft Orchestra – I’d heard a little Amanda Palmer here & there, and I’d seen her gigantic Kickstarter campaign to record this album, but never really been hooked. But between a couple of seriously intense videos (The Killing Type & Do It With a Rockstar, both more or less NSFW), and the ability to download this album for free (I’ve since paid for the “deluxe” version), I’m hooked now. It’s a little uneven, but overall pretty amazing.
• Reign of Terror, Sleigh Bells – Sleigh Bells’ debut album made my best-of-year list in 2010, and they’re back, kicking as much ass as ever. If iTunes let me, I’d rate the track “Demons” six stars.
• Close-Up, Vol. 3 – States of Being, Suzanne Vega – Is it bizarre to have an album of acoustic reissues by 53-year-old poet & guitar strummer Suzanne Vega on the list right after raving about noise-pop band Sleigh Bells? I’m a mystery wrapped in an enigma, and I love her voice as much as I did in 1985. Vega made four of these reissue albums, rerecording her own stripped-down (and copyrighted in her name) versions, and they’re all good, but this one is my favorite. Really good versions of really good songs.
• Blunderbuss, Jack White – This album, like his set at ACLFest, and his hour on Austin City Limits are Jack White at his Jack-Whitest. There are a few tracks that aren’t my favorites, and I really wish he hadn’t said “noivous” on “I’m Shakin'” (that cost that song a star, Jack), but a rocker nonetheless.
• Conatus, Zola Jesus – Laid back in more of a heavy shoe-gaze way, this is one of those that doesn’t have especially stand-out singles, but isn’t at all too monotonous to listen to all the way through. Over and over and over. Another ACLFest act; she performed early in the day, so I only caught the last couple songs of her set, but at least I got close enough to get a decent picture.

So those are my ten favorite “new” albums of 2012.

There are good albums among the rest of what I picked up in 2012, and good tracks even on the not-so-good albums. To keep them from getting lost in the iTunes library, I also made a playlist (ordered in mixtape order, not best-to-worst) of favorite single tracks from all of the year’s albums that didn’t make the best-album cut. This “Best of the Rest” is also a playlist on Spotify (minus the Giant Drag track).

1. GO! — Santigold (Master of My Make-Believe)
2. Gold On The Ceiling — The Black Keys (El Camino)
3. Wanderluster — Band of Skulls (Sweet Sour)
4. Lafaye — School of Seven Bells (Ghostory)
5. Nothing To Remember — Neko Case (The Hunger Games: Songs From District 12 & Beyond)
6. Mouthful of Diamonds — Phantogram (Eyelid Movies)
7. Who’s That Boy — Demi Lovato (Unbroken)
8. We Are Never Ever Getting Back Together — Taylor Swift (Red)
9. Want U Back — Cher Lloyd (Sticks & Stones)
10. Major — The Asteroids Galaxy Tour (Out of Frequency)
11. Guggenheim — The Ting Tings (Sounds From Nowheresville)
12. I Am Not A Robot — Marina & The Diamonds (The Family Jewels)
13. Suicide Pact — JJAMZ (Suicide Pact)
14. Widow’s Walk — Suzanne Vega (Close-Up, Vol. 4 – Songs of Family)
15. I Got Nothing — Dum Dum Girls (End of Daze)
16. Call Me the Breeze — Beth Orton (Sugaring Season)
17. Bird Song — Florence + The Machine (Lungs: The B-Sides)
18. I Hate Love — Garbage (Not Your Kind Of People)
19. Firestorm — Giant Drag (single)
20. Teen Idle — Marina & the Diamonds (Electra Heart)
21. Call Me Maybe — Carly Rae Jepsen (Kiss)
22. What Makes You Beautiful — One Direction (Up All Night)
23. Malo — Bebe (Pafuera Telarañas)
24. My Country — Tune-Yards (W H O K I L L)
25. Neskowin — The Corin Tucker Band (Kill My Blues)
26. Babelonia — School Of Seven Bells (Disconnect From Desire)
27. Rhapsody — Siouxsie & The Banshees (Peepshow)
28. Ride — Lana Del Rey (Paradise)
29. Emmylou — First Aid Kit (The Lion’s Roar)
30. Tighten Up — The Black Keys (Brothers)
31. Can You Believe It? — Martha Wainwright (Come Home to Mama)

A note about the teeny-bopper tracks on the list above: they’re in my iTunes library because my teenage daughter bought those albums on our iTunes Store account. And I listened to them. They’re mostly… not that good, in my opinion, and I haven’t listened to most of them more than once. But – there are singles that are good, and super catchy (as they were engineered to be), and sometimes even funny. Also, part of my purpose in making these lists is to have a time capsule of each year’s music. And whether the cool kids like it or not, Carly Rae Jepsen, One Direction, and Taylor Swift were all part of this year’s music. But I’m not apologizing. If I didn’t like these songs I wouldn’t have put them in the list. Haters gonna hate; I’ll be over here letting myself enjoy these occasional pop confections.

Anyway – enjoy!