some attempts at a clever/punny headline are cringeworthy, but sometimes they are perfection + 1: http://bit.ly/2sCLZQ2
Category: music Page 4 of 5
#musicMonday Bleached’s Welcome the Worms (2016) stream @ http://bit.ly/2srA443 standout: Keep on Keepin’ On
#musicMonday Goldfrapp’s 2008 album Seventh Tree http://spoti.fi/2rms9TA standout track: A&E
(…just the first 13 tracks there make up the original album. listen to those & skip the bonus tracks. play WWNBL again instead, louder)
#musicMonday rec: The Waterboys’ Fisherman’s Blues (1988) http://spoti.fi/2rVQhkW standout track: We Will Not Be Lovers
downtempo #musicMonday: Juana Molina’s brand new Halo. stream free at http://bit.ly/2qzeEQ0 or Spotify. standout track: Estalacticas
I don’t wind up listening to the grunge in my library all that often, & Superunknown is a little uneven imho, but it has some great songs
#musicMonday after Chris Cornell’s death, Soundgarden’s 1994 breakthrough Superunknown http://spoti.fi/2rGkfWI standout track: Superunknown
heavy #musicMonday: Wolf’s Law, by The Joy Formidable. stream: http://bit.ly/2qJ6rgS or Spotify. standout track: Forest Serenade
#musicMonday: “Guppy”, the 2017 debut album by Charly Bliss. free stream: http://bit.ly/2pWkGgR or on Spotify. standout track: Glitter
#musicMonday Beastie Boys’ Paul’s Boutique (1989) https://open.spotify.com/album/1kmyirVya5fRxdjsPFDM05 standout track: High Plains Drifter
some punk rock for #musicMonday – The Soviettes’ LP III (2005). free stream at http://bit.ly/2pXx29c standout track: Multiply and Divide
for #musicMonday, a classic from The Cure: The Head on the Door (1985) http://spoti.fi/2pnRBeE standout track: The Baby Screams
#musicMonday rec: Diet Cig’s brand new Swear I’m Good At This (stream @ http://bit.ly/1KhQpsf or Spotify) standout track: Blob Zombie
a great voice in this #musicMonday rec: Lucy Dacus’ No Burden (2016) http://spoti.fi/2nwiTdB standout track: Troublemaker Doppelgänger
for #musicMonday: the soundtrack to the classic 1991 film The Commitments http://spoti.fi/2n8W2or standout track: Take Me to the River
for #musicMonday: Metric’s Synthetica (2012) http://spoti.fi/2nD1KUb standout track: Youth Without Youth
for #musicMonday: Run the Jewels 3, by Run the Jewels (2016) http://spoti.fi/2hoUWGS standout track: Call Ticketron
Let us put men & women together
See which 1 is smarter
Some say men, I say no
Women run the men like a puppet show
https://www.youtube.com/watch?v=VT7vjbJcQJE
…the video for that song was the 2nd ever played on MTV, 8/1/81 https://www.youtube.com/watch?v=IvSbQB6-UdY it was all downhill from there for that channel
#musicMonday pick: Pat Benatar’s Crimes of Passion (1980) http://spoti.fi/2lOcQjD standout track: You Better Run
for #musicMonday – Janelle Monáe’s The Electric Lady (2013): http://spoti.fi/2kQ60K4 standout track: Q.U.E.E.N. “the booty don’t lie”
#musicMonday recommendation: Painted Shut by Hop Along (2015) http://spoti.fi/1E0DLeK standout track: The Knock
#musicMonday pick: Combat Rock, by The Clash (1982) http://spoti.fi/1qi8pzQ standout track: Rock the Casbah
I got some Sharon Jones, some Los Campesinos, & some Hop Along, myself http://bit.ly/2koAczv (ok, last time I’ll share this. probably.)
I happened to tweet (err, microblog!) about Bandcamp just the other night. Thanks to their giving ~80-85% of the revenue to their artists, Bandcamp is the only digital music store that I feel as good about patronizing as I do about buying a band’s CD at their show.
And this Friday (Feb. 3), it gets even better: they’re donating 100% of their share of your purchase to the American Civil Liberties Union (ACLU) in opposition to last week’s Executive Order barring immigrants and refugees from seven Middle Eastern countries from entering the United States:
Contrary to the assertions of the current administration, the order will not make us safer (an opinion shared by the State Department and many members of Congress including prominent Republicans). Christian religious leaders have denounced both the ban, as well as the exception prioritizing Christian immigrants, as inhumane. It is an unequivocal moral wrong, a cynical attempt to sow division among the American people, and is in direct opposition to the principles of a country where the tenet of religious freedom is written directly into the Constitution. This is not who we are, and it is not what we believe in. We at Bandcamp oppose the ban wholeheartedly, and extend our support to those whose lives have been upended.
So that’s great: digital music sales and they support the ACLU for a day. But: what to buy?! I love both of these ideas so much, I’ve taken a few minutes to compile a list of some suggestions to show the breadth of the Bandcamp catalog. All of these have either been #musicMonday recommendations in the past year, or were on my Best of 2016 lists (or both). Bandcamp has also had a whole bunch of artists and labels add some or all of their cut from Friday’s sales to the donation; some of these are from that list. In no particular order:
- Jessica Rabbit, by Sleigh Bells
- all the albums by Wussy, ever
- If You See Me Say Yes, by Flock of Dimes
- a whole bunch of (older) albums by The Decemberists
- Eight Houses, by She Keeps Bees
- the entire catalog of Los Campesinos
- Sometimes I Sit and Think, and Sometimes I Just Sit, by Courtney Barnett
- Arrow, by Heartless Bastards
- The Besnard Lakes Are The Roaring Night, by The Besnard Lakes
- Full of It, by Summer Cannibals
- Over Easy and Swear I’m Good at This (preorder), by Diet Cig
- Up.Rooted, by Gina Chavez
- the entire Kill Rock Stars catalog (Summer Cannibals, Corin Tucker Band, Gossip, Decemberists, even comedians Rhea Butcher and Cameron Esposito, to name a few)
- Rose Mountain and Ugly, by Screaming Females
- Teenage Retirement, by Chumped
- Welcome the Worms, by Bleached
- Torres, by Torres
- case/lang/veirs, by case/lang/veirs
- all the albums by Speedy Ortiz
- Who Killed Amanda Palmer and Theatre Is Evil, by Amanda Palmer
- all the albums by Sharon Jones & the Dap-Kings
As you can see, there’s a lot of good stuff there. Check it out, treat yourself and put a little $$ in to #resist at the same time. Win-win, rock on.
this week for #musicMonday: Middle Cyclone by Neko Case http://spoti.fi/2jm3aRb standout track: This Tornado Loves You
Time again for my annual best-of music review! Each year, I pick my ten favorite “new” albums of the year, where “new” means new to me, but not necessarily released in 2016. Any albums I bought in the calendar year are eligible for the list, regardless of when they were released.
Here are my 2016 selections, in alphabetical order by artist (I pick the top 10, but I don’t order them further than that). A playlist of all these albums (minus Beyoncé) is on Spotify.
Lemonade, Beyoncé – I’ve never been a big Beyoncé fan (don’t tell The Beygency), but there was so much acclaim for this album that I had to check it out. If nothing else, I wanted to know what a “visual album” was. As you see from its inclusion here, I wasn’t disappointed. The songs are really good, but mainly I’m a sucker for prog-rock type thematic story arc albums, so the powerful hour-long video that ties them together is what really made this for me.
Imani Vol. 1, Blackalicious – Blackalicious is another act that I haven’t listened to much before. I think it was the Fantastic Mr. Fox video for the great song The Blowup that first turned me on to this album, but there aren’t many low points to be found here. Good, driving beats add a welcome dose of hip-hop variation to my library.
Over Easy (plus), Diet Cig – For the second year in a row, an opening band at a Front Bottoms lands on my top ten. These two, the singer/guitar player especially, gave such an amazingly energetic performance that I went to another concert later in the year that they were opening for, just to see them. Their quirky, offbeat lyrics, which remind me of Los Campesinos and the Front Bottoms, are a big part of their appeal. A new album is coming soon, but they only have an EP and a couple of singles out now, so I include all of those here. If you ever have a chance to see Diet Cig live, take it. (concert pic)
If You See Me, Say Yes, Flock of Dimes – this is the solo project of Jenn Wasner, who is half of longtime favorite Wye Oak (tracks from their most recent two albums are on the Best of the Rest mix, below). This is a more electronic sound, which has grown on me. Her lyrics and voice are both among my favorites. (concert pic)
Up.Rooted, Gina Chavez – A popular, local, bilingual (English & Spanish) performer that had somehow escaped my notice until this year, Gina Chavez was one of the few (of the continually diminishing number of) bands I was looking forward to seeing at ACL Fest this year. She gave a great show, accompanied by a big party ensemble that included horns, bongos, keyboards, stringed instruments, you name it.
Ash & Ice, The Kills – This isn’t the best Kills album ever, but it’s a solid addition to their catalog. I finally saw them in a standalone concert in a dark concert hall late at night, where they belong (the previous time I’d seen them was on a very hot, very sunny mid-afternoon ACL Fest stage some years ago; both of them seemed about to melt the whole time). (concert pic)
In Loving Memory of When I Gave a Shit, LOLO – I’ll admit it: I would never have listened to this if I hadn’t noticed the funny and provocative title in Spotify one day. Even then, I didn’t have much hope for it, but I figured, why not? What luck, because even though the music style isn’t what I usually listen to, she has a real ability to turn a clever, evocative phrase in her lyrics, and her smoky voice is fantastic.
Adore Life, Savages – This is the second album by this powerful post-punk revivalist group, and their tour in support of it was my first chance to see them live; both great. They’re as intense as ever, in all the best ways. (concert pic)
Rose Mountain, Screaming Females – I guess this band is an acquired taste – I’d given them a listen once or twice before, but hadn’t gotten into them much until this year. This is their newest, released last year; a track from their previous album, Ugly, is on the Best of the Rest list, below. I didn’t really appreciate what heavy-metal guitar virtuosos they are until I saw their amazing live show. (concert pic)
Full of It, Summer Cannibals – This band debuted on the top ten album list last year with Show Us Your Mind, and their new release holds up every bit as well. (Their debut album is good, too; there’s a track from that in the Best of the Rest, below). They’re not super well-known, if the tiny concert I saw is any indication, and that’s a shame. They play great rock & roll; if you have a chance to see them, do yourself a favor. (concert pic)
That’s it for my ten favorite “new” albums of 2016.
And then there are all the rest of the albums. To complete my annual time capsule, I also make a playlist of favorite single tracks from all of the year’s albums that didn’t make the best-album cut, ordered not alphabetically, but in the best mixtape order I can manage. This “Best of the Rest” is also a playlist on Spotify.
- It’s Started – The Joy Formidable, Hitch† ‡
- Call It Off – Shamir, Ratchet
- New Song – Warpaint, Heads Up† ‡
- Logic of Color – Wye Oak, Shriek† ‡
- Astronaut – Amanda Palmer, Who Killed Amanda Palmer?
- Undertow – Warpaint, The Fool†
- Dropping Houses – Wussy, Forever Sounds† ‡
- Long Division – Chumped, Teenage Retirement
- Wear Me Out – Summer Cannibals, No Makeup†
- It All Means Nothing – Screaming Females, Ugly†
- Trying to Lose Myself Again – Bleached, Welcome the Worms
- Crucible – Sleigh Bells, Jessica Rabbit
- Welcome to the Renaissance – Michael James Scott & Rotten Ensemble, Something Rotten! Original Cast Recording†
- Rebirth – Nina Diaz, The Beat Is Dead†
- My Mama Said It – Anya Marina, Paper Plane
- Truth Hits Everybody – The Police, Outlandos d’Amour
- Radio of Lips (acoustic) – The Joy Formidable, Sleep Is Day†
- New Skin – TORRES, Sprinter†
- I’m So Confused – Goldensuns, Give It Up†
- Watching the Waiting – Wye Oak, Tween†
- Supermoon – case/lang/veirs, case/lang/veirs
- The Black Death – Rotten Ensemble, Something Rotten! Original Cast Recording†
† – saw band live this year
‡ – link to concert pic
Enjoy!
An article on The A.V. Club reports that for the first time ever, older albums outsold new ones last year. What’s interesting to me is the assumption that this is somehow a bad thing:
Just a decade ago, new releases were outselling old ones by 150 million albums a year. So what happened? Who or what is to blame for new music becoming an undesirable commodity? One culprit could be the so-called vinyl revival, which has heavily favored catalog titles like Pink Floyd’s Dark Side Of The Moon, a 43-year-old album that nevertheless sold 50,000 copies in 2015. According to the article, younger music listeners who get into collecting vinyl are opting for older albums. And then there’s the possibility that people are more likely to stream new albums than purchase them. Regardless of the cause, it looks like nostalgia has a stranglehold on the music industry.
Who is to blame? New music is an undesirable commodity? Nostalgia has a stranglehold on the music industry??
Maybe this is trouble for the music industry, or new artists, or something we should wring our hands over, but as a music lover I just can’t see it that way. How I see it is that the more time passes, the more great music exists in the world, and that’s nothing but good news. This is why my annual best-of lists include anything new to me, and why my #musicMonday tweets are everything from new releases to oldie throwbacks.
Don’t get me wrong; I like new music, too. I’m not only a person who looks forward to Friday because it’s the day that new albums come out now, I still feel a little sad every Tuesday – the day new albums used to come out – that they changed it. I’ve pre-ordered three albums so far this year; new music is not an “undesirable commodity” to me.
But some old music is great, too. Not all of it, of course. Some of it was never good, and some is silly or kitschy or embarrassing or just doesn’t stand the test of time. But there’s a lot of music from a lot of years that’s really, really good. And thanks to the magic of continually-advancing time, there’s more and more every day! (Give or take.)
My advice: be on the lookout for “new” music that you like from any time: whether it’s oldies, classics, last year’s, or new releases. Getting into Pink Floyd, or Bowie, or The Eagles, doesn’t keep you from getting into Adele, or Shamir, or Savages.
Time again for my annual best-of music review! Each year, I pick my ten favorite “new” albums of the year, where “new” means new to me, but not necessarily released in 2015. Any albums I bought in the calendar year are eligible for the list, regardless of when they were released.
One interesting development this year is that music that I’m getting via my kids (now 20 and 17) continues to get better. Most notably, two of the albums in my top ten would have never been there if it weren’t for my daughter’s influence: Twenty One Pilots and The Front Bottoms. Arguably that number should be three, as I wouldn’t have bought Elvis Depressedly’s CD if I hadn’t gone to the Front Bottoms show where they were the opening band. That said, I’ve become more willing to delete albums from the kids that only have one or two decent songs on them (cough One Direction cough); those don’t appear here at all.
Here are my 2015 selections, in alphabetical order by artist (I pick the top 10, but I don’t order them further than that). The links are to Wikipedia, and a playlist of all these albums is on Spotify.
Sometimes I Sit And Think, And Sometimes I Just Sit, Courtney Bartnett – This rollicking debut album is one you’ll also see on a good many critics’ best-of lists for 2015, and deservedly so. She has a lot of clever, poignant songwriting, and the songs have a nice variation across the course of the album. Lastly, I won’t deny it: that she sings with a pronounced Australian accent is an automatic plus-one, at least.
Dodge and Burn, The Dead Weather – Since 2007, when I started choosing top-ten albums, Jack White and Allison Mossheart’s various bands (White Stripes, The Kills, Dead Weather, and solo Jack White) have landed on the list with nearly every album they put out. The trend continues this year with another solid entry as the Dead Weather super-group/side-project. The bad news is that they won’t be touring behind this album; the good news is that it’s because they’re each working on new (separate) projects. Look for one or both them here again next year.
New Alhambra, Elvis Depressedly – As noted above, I only heard of Elvis Depressedly because they were one of the openers at the Front Bottoms show I went to with my daughter. They sounded great, and in true indie fashion they were selling their CD at a table in the back. At only $5, I was willing to take a shot, and I’m glad I did. It’s short – just 21 minutes – and not something I want to listen to all day, every day. But it’s good stuff, inventive and interesting (you can get it from their Bandcamp page for just $5, too).
How Big, How Blue, How Beautiful, Florence + the Machine – A new Florence album is an automatic buy, and a good bet for automatic inclusion in this list. That she was one of the few Austin City Limits Festival acts I was excited for this year only boosted her stock. There are more 3-star tracks on this album (six) than any other on this list, but that still leaves ten great Florence songs. Also, what a video for the single What Kind of Man.
Back on Top, The Front Bottoms – This is a band that I’d heard before, but it was my daughter’s intense love for them that made me really listen. That, and buying scalped tickets for her via Craigslist for their instantly-sold-out show at The Parish, and going to it with her. What started out as doing a favor for her turned out to be one of the best concerts I’ve been to in a while. This CD is their newest, and it edged out the others to land on the top ten; see tracks from their earlier work in the Best of the Rest mix, below. (Instagram.)
No Cities to Love, Sleater-Kinney – I could hardly have been more excited when Sleater-Kinney, one of my favorite bands of all time, announced that they’d reunited and had a new album already done. I bought it, and a ticket to see them at Stubb’s, as soon as I possibly could, and was rewarded with all the great music I expected. I won’t say it’s my favorite S-K album – reaching that status would well-nigh miraculous – but it’s a fantastic return to form and everything I could have asked for. (Instagram.)
Show Us Your Mind, Summer Cannibals – This is a band I heard of via the Sound Opinions podcast, and they’re absolutely great. When it came time to start picking albums for this list, this was one of the first no-brainer choices I made. There isn’t a ton of variation in song style: lots of defiant lyrics, sneering vocals, and solid rock backing it all. But since I love the one style they play, that’s no problem at all.
Blurryface, Twenty One Pilots – The second entrant to this year’s top ten that came via my daughter, with a big boost from their very solid ACL Fest sets (we watched the first weekend’s webcast, the second weekend in person); their intensity and authenticity are hard to resist. Their genre is hard to classify, though I guess hip-hop would be the closest fit. As with The Front Bottoms, this is their newest; tracks from their older efforts can be found in the Best of the Rest mix, below.
Ghost Notes, Veruca Salt – The reunion of 90s alt-rockers Veruca Salt wasn’t as widely anticipated as Sleater-Kinney’s, but it was similarly unexpected, and another big one for me personally. When I heard that Nina Gordon and Louise Post had stopped hating each other and started working together with their former Veruca bandmates on a new album, it was about two milliseconds before I backed their PledgeMusic campaign. The result was a solid album that I like a lot. Still waiting to see some U.S. tour dates, though.
My Love Is Cool, Wolf Alice – As they say: last but certainly not least, is Wolf Alice. Another of the (alarmingly small number of) bands I looked forward to at ACL Fest this year, they had the decency to not disappoint. Good, driving, and dark-ish hard rock; I look forward to hearing where this young band goes. (Instagram.)
That’s it for my ten favorite “new” albums of 2015.
And then there are all the rest of the albums. To complete my annual time capsule, I also make a playlist of favorite single tracks from all of the year’s albums that didn’t make the best-album cut, ordered not alphabetically, but in the best mixtape order I can manage with such a wide assortment. This “Best of the Rest” is also a playlist on Spotify, though this year I had more than the usual number of tracks not available there (four – I’ve linked up all but Taylor Swift’s in the list below).
- Flashlight – The Front Bottoms, The Front Bottoms†
- Car Radio – Twenty One Pilots, Vessel†
- Caja De Madera – Mala Rodríguez, Bruja†
- Win Again – Nicki Minaj, The Pinkprint
- Keep You On My Side – CHVRCHES, Every Open Eye
- Style – Taylor Swift, 1989
- En El Dancefloor – María Del Pilar, Songs + Canciones I†
- Shadows – Au Revoir Simone, Still Night, Still Light
- The Next Messiah – Jenny Lewis, Acid Tongue
- Slow Ride – Foghat, Dazed and Confused
- Instigators – Grace Potter, Midnight
- Free Ride – The Edgar Winter Group, Even More Dazed and Confused
- Psychedelic Quinceñera – Tacocat, NVM
- Lone Star – The Front Bottoms, Talon of the Hawk†
- Poor Ellen Smith – Wussy, Public Domain, Volume I
- Ven (Beautiful) [feat. Juieta Venegas] – Ceci Bastida, La Edad de la Violencia†
- Breakfast in Bed – Wussy, Live at Cake Shop
- Ode to Sleep – Twenty One Pilots, Regional At Best†
- Wrong Club – The Ting Tings, Super Critical
- KAGOME – Babbe feat. Sasi, Radiant Dancefloor
- Celebrate – Metric, Pagans in Vegas
- Au Revoir (Adios) – The Front Bottoms, Talon of the Hawk†
† – saw band live this year
Enjoy!
We’re done with Apple Music. The whole experience has been a frustrating, bewildering fight against our own devices and music, for virtually no added benefit.
I’ve wasted hours wrestling with weird problems and various amounts of data loss. As I write this, I’m in the middle of another full phone restore, trying to get things back to square one, back to how they were before Apple Music gleefully stomped through and wrecked everything.
Here’s a summary of the most frustrating problems we ran into.
On vacation I spent more than a day trying to get newly bought MP3s to sync from my computer to my phone (you know: the absolutely most basic and simple task of any music player ever made). In this case, it was a prerelease copy that I bought directly from the artist, but it was also listed in Apple Music as a coming-soon release, and maybe that was part of the problem, but I was never quite sure. I’d say “make available offline”, the app would say, “sure thing boss!”, then I’d hop in the car to rock down the road and find: nope. Not there.
Trying to help my wife keep her Jazzercise-instructor playlists in sync with her computer was a constant uphill struggle. And if hers are screwed up, it’s a bigger deal than me being disappointed that I can’t listen to my new music. For her, it means her carefully planned and choreographed class is ruined. Sometimes playlists stayed in sync, sometimes they didn’t. Less than 100% confidence is a deal-breaker, so although I’m just now rage-quitting this aggravating debacle, she’s been off it for a while already.
Having lots of my carefully-tended album art get totally trashed during the Great Upload to the Cloud was really annoying. (This has been complained about by others, as have other iCloud/Match-related woes.)
Somewhere along the line, a bunch of my playlists disappeared. I didn’t even notice when this happened, as they’re static (not “smart”) playlists that I don’t use that often. But most of them are copies of old mixtapes (yes, actual real tapes). I think I’ve recovered the raw data that will let me restore these, thanks to Time Machine backups, but it will be a labor-intensive pain in the ass.
Those were all pretty maddening, but the straw that broke the camel’s back was when the Music app crashed yesterday morning. When it restarted, it was a completely blank white screen. Hmm, that’s not good. Quit the app and started again, then at least there were controls at the bottom, but when I tapped “My Music”, it was a white screen and a “Loading Library” message with a progress bar. It stayed that way during my entire commute to work (no music! See, there is still a case for CDs). I thought it was all right after that, but on my drive home that evening I got a warning about playing music away from wifi, even though I was trying to play my own music, not something streamed. With creeping dread I turned on the “only show music available offline” toggle, and sure enough, everything disappeared. Gone. All gone.
Checking out the disk usage, I found a huge amount of “Other” space. Clearly all that offline music was still taking up space, even though it was inaccessible:
A full reinstall and restore-from-backup later, and it’s fixed. Now all I have to do is re-load the music back on there (and re-enter passwords and Apple Pay credit card info and Touch ID and who knows what else), and then I’ll be back to square one!
Note that all this heartburn is despite the fact that we’re all-in on the Apple Way. We’re using iTunes on Macs, and lots of our purchased music came from the iTunes Store. That is, we’re not trying to do anything weird or bend the rules. And though I bumble around with this stuff sometimes, I am actually a professional computer guy. I shudder to think what kind of shape the music library and iPhone of a “regular person” would be in at this point.
So, we’re out. Maybe it’s for the best. I thought having a blurred-to-nonexistent line between what I own and what I stream would be great, but I never really warmed to it. I use streaming mostly to try out new music, and if I like it, I buy it. So they’re two separate tiers in how I mentally organize my music collection. Having a completely distinct service for that, like Spotify, works fine for me. It will be a little more expensive for our family, but any savings from Apple Music has already been spent a hundred times over in wasted time and frustration. There’s also the recommendations and curated lists and “radio” stations, but I’ve never been much into such services, and during this trial I never found a single new song of interest in those ways. (Which reminds me of a another failure: that “Tell us what you like” bubbles thing and the resulting “For You” recommendations were laughably wrong and completely useless for all of us.)
Update: 8/31 – Still Smoldering
After I thought I’d restored everything, I discovered this morning that my song ratings were all screwed up, too. I obsessively rate the songs in my library. Probably a little too obsessively, but I use those ratings a lot, especially in smart playlists. How the living hell this could have happened, I can’t begin to imagine, but somehow a whole bunch of tracks suddenly had ratings with light gray stars:
The best the Internets could tell me was these are “estimated” track ratings, whatever that means, but more to the point they were wrong. According to the size of my “unrated” smart playlist (told you: obsessive), there were suddenly 4,402 unrated tracks. I didn’t know the right number, but I knew that was way too high. (Once I got stuff restored, the actual number turned out to be 444.)
Thankfully there’s a special directory under the main iTunes directory called “Previous iTunes Libraries”, where Apple apparently backs up your library metadata file before major iTunes upgrades. It’s almost as if they don’t have very high confidence that everything’s going to work. But it turned out to be handy, as all I had to do was dredge up the copy from July 1, that black day I first stepped upon the dismal path of Apple Music, and voila! Except for all the music I’ve added and played and rated since then, I’m back to square one! Again!
Time again for my annual best-of music review! The process, as in years past, is to pick my ten favorite “new” albums of the year. “New” is in scare-quotes because I go by new-to-me, not by release date. If there are old albums that I get in the calendar year – as happened this year in spades with Wussy – then they’re eligible for the list, regardless of their oldness.
Here are my 2014 selections, in alphabetical order by artist (I pick the top 10, but I don’t order them further than that). The links are to Wikipedia, and a playlist of all these albums is on Spotify.
Event II, Deltron 3030 – “not a big rap fan, but: a sci-fi concept album + humor = yes please thank you” – me, when I first heard of this album. And that pretty well sums it up. The little interstitial skits are okay, though they can get a little old and they’re terrible when shuffling. But overall, this wide-ranging album has a lot of good songs.
Stay Gold, First Aid Kit – With this followup to 2012’s The Lion’s Roar, these Swedish sisters bring their beautiful voices to another set of beautiful songs. The folksy, simple lyrics aren’t afraid to have a little more edge than you might expect.
The Voyager, Jenny Lewis – This one’s not unlike the First Aid Kit album in some ways: sunny, warm, 70s-reminiscent pop music, also with an occasional pleasantly surprising lyrical barb. I’d listened to her some in the past, in Rilo Kiley and her album with the Watson Twins, but was never really impressed until this album, which is fantastic. I also saw her perform at ACL Festival in October, and it was the best show of the weekend for me.
Eight Houses, She Keeps Bees – I wish I remembered how I heard of this band. Also mellow, but darker and more electronic than the previous two, this collection of psychedelic songs is great stuff.
Major Arcana, Speedy Ortiz – A little uneven, but overall a nice little indie-rocker album. I saw them at a free Waterloo SXSW show, and they were superb. I even got my CD signed that day.
Warpaint, Warpaint – “Atmospheric, haunting, but with some edge & some texture to keep it from going down too easy” – me, when I recommended this excellent album earlier in the year. Clever, interesting music; I look forward to seeing what else they’ll do.
Deep Fantasy, White Lung – This makes two years running for this kick-ass punk band to get an album in my top 10. As with last year’s Sorry, it’s short (23 minutes), sharp, and to the point.
Attica!, Funeral Dress, and Strawberry, Wussy – So, there’s all those bands and albums above, and then there’s the band that overwhelmingly dominated my 2014 music: Wussy.
I’d never heard of them before the June 27 episode of Sound Opinions, which named their new album one of the “best of 2014… so far”. I checked it out, and was instantly hooked. I went on to buy all seven of their previous albums from their Bandcamp page, and didn’t find a bad one in the bunch.
I love this band. It’s partly the Ohio-ness of them and their lyrics (Pizza King, Little Miami, the corn-maze in Teenage Wasteland), it’s partly that critics adore them (Robert Christgau said they’re “the best band in America since they released the first of their five superb albums in 2005”), but in the end the main thing is, of course, the music. It’s not flashy or amazing or mind-blowing, it’s just thoroughly and solidly good. Really, really good.
I decided to pick three of their albums for this top 10, enough to show their influence but few enough to allow some other bands onto the list. The rest of Wussy’s fine albums had to settle for song selections on the “best of the rest” playlist, below.
So those are my ten favorite “new” albums of 2014.
And then there are all the rest of the albums. To complete my annual time capsule, I also make a playlist of favorite single tracks from all of the year’s albums that didn’t make the best-album cut, ordered not alphabetically, but in the best mixtape order I can manage with an assortment like this. This “Best of the Rest” is also a playlist on Spotify (minus the 50 Foot Wave tracks).
- Maglite (Remix) – Wussy, …Popular Favorites
- The Grand Destruction Game – Nina Persson, Animal Heart
- Too True To Be Good – Dum Dum Girls, Too True
- Antipatriarca – Ana Tijoux, Vengo †
- La La La (Brazil 2014) – Shakira, 2014 Fifa World Cup: One Love, One Rhythm
- Don’t Sit Down ‘Cause I’ve Moved Your Chair – Arctic Monkeys, Suck It And See
- Night Mail – Public Service Broadcasting, Inform – Educate – Entertain
- Black Out Days – Phantogram, Voices †
- Renaissance Girls – Oh Land, Wishbone
- Hard Out Here – Lily Allen, Sheezus †
- Selling Rope (Swan Dive To Estuary) – Los Campesinos!, No Blues
- West Coast – Lana Del Rey, Ultraviolence †
- Jonah – Wussy, Left for Dead
- Fool’s Complaint – Suzanne Vega, Tales from the Realm of the Queen of Pentacles
- Muscle Cars – Wussy, Wussy
- Radiant Addict – 50 Foot Wave, With Love From The Men’s Room
- Fancy – Iggy Azalea, The New Classic †
- R U Mine? – Arctic Monkeys, AM
- Clara Bow (live) – 50 Foot Wave, You’re Soaking In It
- Rigor Mortis (Live) – Wussy, Rigor Mortis EP
- Team – Lorde, Pure Heroine †
- Young And Beautiful – Lana Del Rey, Music From The Great Gatsby †
- Soak It Up – Wussy, Funeral Dress II – Acoustically
† – saw band live this year
As in past years, there are some tracks here more for “time-capsule” value than because they’re really favorite songs: a World Cup theme song and I-G-G-Y, to name a couple.
Enjoy!